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He gave me ideas for phrasing and musicality I had not yet thought of. In the following clip I play the first three measures in three different ways. This particular one provides practical insight into the principals of ‘Song and Wind’ when applied to repertoire, not just exercises. Kristian Steenstrup was born in I strongly encourage you to get acquainted with a few and develop your own opinion to the interpretation.
Learn from one of the greatest orchestral trumpet players of today. You get a lot of inspiration, ideas and it’s highly entertaining!
When I get to the sixteenth-note passage in measure 8, I breathe in beat two to keep the running sixteenths together. Phrasing with the core melody in mind.
Get more for your money. David Bilger Learn from one of the greatest orchestral trumpet players of today. Add review Your review will intraca posted on our website once verified. Pay attention to note length values throughout this section. In my first pass I breathe after beats 1 in measures 10 and Masterclasses Learn hands-on advice on technique, sound and musical interpretation – exemplified through masterclasses of some of the most important and beautiful works.
Learn hands-on advice on technique, sound and musical interpretation – exemplified through masterclasses of some of the most important and beautiful works.
Honegger – Intrada January 7, Thanks for breaking this one down. Get tips and tricks from a true trumpet master. Login Remember Me Don’t have an account?
David Bilger Learn from one of the greatest orchestral trumpet players of today. Learn from one of the greatest orchestral trumpet players of today. Steenstrup’s videos on Play With A Pro are amazing! His most frequently performed work is probably the orchestral work Pacific 1which imitates the sound of a steam locomotive. He was honebger member of Les Six.
He is author of “Teaching Brass”, an important source book for teachers worldwide. Since his first prize in the international ARD competition in Munich in he has been present on the important stages of the national and international music scene.
Set the Allegro section tempo at whatever rate you can triple-tongue the passage beginning at intrqda Anyhow, a lot of players like to make the material between rehearsals 2 and 3 four and sometimes five phrases by breathing after the intrxda notes in the middle of the two big phrases. My logic here is to try to maintain the architecture that is established in measure 4 where the phrase obviously begins on beat 2.
One of the most popular pieces for trumpet taught and explained by one of todays great trumpet players. Measures One of the big issues in this piece is figuring out where to breathe. Suggested Equipment C trumpet, no mutes. A very worthwhile purchase for players of all levels.
One could use these somewhat as leading tones to create more direction in the line. Get more for your money. Lifetime access Stream on any device Watch ijtrada. Transition to firmer articulation and rhythm at rehearsal 3 to begin the set up for honeggrr Allegro at Measures The entrance pickup before rehearsal 2 is a tough one; coming in on a soft, low G after moments earlier wailing on a high C and B.
Friedrich’s ideas for Arthur Honegger’s Intrada for trumpet simply brought my performance up to the next level.
He continued to study through the sbefore writing the ballet Le dit des jeux du monde ingenerally considered to be his first characteristic work. The first pass makes the most sense to me musically but the second pass sets off the contrast between the intervallic stilted rhythmic material with the more flowing scalier material better.
I have 2 of Kristian’s videos and they are honegge very useful.